253: Gutting Room Floor
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Dear Patrons,
Just a bit of news. I will be recalibrating the update schedule so for this update, so no DISCIPLE tier password refresh for the month of February which is about to end (or just ended for some) anyway. I will do so for the next one and start the month of March fresh. This way, I can make it so that the 1st update should be back to the 1st update of the month as it should've been in the first place before I started letting it get a little too late in the month. However, after this update, the schedule should have been maintained at 3 Carte du Jours a month.
So onward to the update with this one on a variation of a theme that's not as explored here as much as it could! A messy process, but in the eyes of the secret dining Circle, it has to be done to transform the beauty from one form to another. Bon appétit!
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I. SCENES FROM THE GUTTING ROOM FLOOR (3 full color artworks)
These are variations of scenes of stories featured here. Gutted. Emptied. Decapitated. Dehumanized. All that remains becomes meat and flesh.
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II. SKETCHES FROM THE GUTTING ROOM FLOOR (2 black and white sketches)
February 28, 2023 @ 7:48 pm
beautiful
March 1, 2023 @ 11:12 am
Second sketch demonstrates a careful positioning for intricate work
March 1, 2023 @ 12:39 pm
Thank you!
March 1, 2023 @ 6:27 pm
I really love all of these, every single one. Because they’re all very much playing into all the things I like.
Gutting, franked limbs, beheading, and just the positions of the carcass.
I love the first one, because it’s everything I like, gutted, beheaded, you can see right into the carcass, and even has the offal.
The second one, yes, because that’s one of the methods of execution I like, and it’s a rare one with blood, I don’t think you often have very much blood in your artwork.
Third one, gutting, headless, and being prepared, I love it. It’s different from the first, because it looks like it’s before the offal is removed, and the metal table implies more of a professional butchery setup.
The love the first sketch, because, again, this it just building on throat cutting, but it’s adding more of what I like, upside down, suspended by hooks through the ankles as the blood drains out.
And finally, the last one, the look on the face, the gutting, the positioning. Yes please… I would love to be just like that.
Plus, as always, your artwork is fantastic quality, beautiful.
March 2, 2023 @ 1:03 pm
Fuck me… this is the MOST brutal update in pictures I’ve seen from you yet! I ADORE IT!!! There’s something incredibly special in merciless finality to the desperation displayed in the facial expressions, beauty dehumanised and disregarded in savage fashion.
The whole process in action is something that just explodes my fantasies to limits that sometimes scare even me. And that is the beauty of all art. If it doesn’t evoke emotion – you either don’t get it, or it just can’t do it. My plebeian evaluation of course.
March 2, 2023 @ 1:11 pm
To create something beautiful you often have to get a little messy. These images capture that perfectly! Yet another delicious update.
December 11, 2023 @ 8:29 am
Your entire appeal is the “forbidden” – the guilty pleasure.
But the guiltiest pleasure of all is something even you rarely draw – the moment of execution – the actual drawing of blood – of the blade through her living, breathing neck.
The scenes of quartering and dismantling and cooking and eating have made me come many many times for sure.
But watching her actually die – it’s undeniably the sexiest, most beautiful part moment of all<3