324: Morning at the Museum

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Dear Patrons,

A happy new year to all and with that comes new resolutions and a new resolve to put a rough 2025 behind me. Hopefully 2026 brings more frequent updates and a more concrete vision of the projects.

And it’s time for me to revisit what’s on my plate thanks to my higher tiered patrons, in loose order of importance based on contribution. This is to show that I’ve not forgotten any of you, and some of you may have put your contributions on pause until I deliver especially to those that have put your faith in me in 2025. Again, if your project isn’t here, feel free to send me a reminder! So, here’s the list!

• FRUIT BASKET KILLER / CALIPHATE / OCCULTI VATICANI: CLAUSI CUM CLAVE / MERMAID / THE VANISHING TRIANGLE / MOVEABLE FEAST: XANADU / AGONY OF DEFEAT / & various other works (in periodical rotation thanks to one generous patron!)
• DOOMED RAIDER – An intrepid explorer and her 2 friends goes missing in the jungles of Central America. A reliably sponsored project which is coming along nicely!
• MISSING IN JAPAN (revived) – This was a story that I had shelved for a while after a patron has stopped his donations, but is now revived due to the potential of fulfilling the requests of multiple patrons. It’s one way to fit the requests of many loose requests into a singular project. This involves a story of consensual subjects, Asian subject, French, waifish and thin build, even clean kills and some more sadistic such as live spitting and live dismemberment. One of the projects I tentatively titled CHEF SURGEON/DICTATOR will be absorbed into this project.
• PAINTED BIRD IN LOST CARCOSA – another reliably sponsored project which keeps chugging along.
• KONGREGATSIYA – Think spies, secret agents etc. aka Lady on a Train. Involving fellatio of disembodied head.
• (new) A yet untitled consensual “Bonnie & Clyde style cannibal couple”, Epstein/Ghislaine type of situation which features a lot of the torso, ie. MAILLOT CUT, ROMPER CUT, corsets etc.
• Commission of a particularly buxom celebrity with the initials “KD”.
• An active patron who just wants me to complete non-story attached scenes I had sketched in previous updates.
• Another active patron whose project might be absorbed into the DOOMED RAIDER story due to the similarity of the look of the subject and scenario.
• Another small commission involving a hunted victim being strung up on one leg.

And as I’m reaching the capacity of my work load, I’ll have to make a note that if I’m not able to fulfill the progress of the project for the month, feel free to put a pause in the donations until you are satisfied with my deliverables. Donations will put you into the queue of consideration. I would like to remain inspired by being a little more ambitious with these works by creating stories for them, instead of just going through the motions with pay-for-work sort of commissions.

And with that, comes the art. The project, with its current working title “CALIPHATE” makes a return, featuring a mysterious cannibalistic paramilitary group and the spies, missionaries, journalists and soldiers sent to fight them, only to never return! I may change the name for this project from something less myopic to one that’s more intriguing and accurate to reflect the grand scale of this project. The frontrunner for the final title HORROR BEYOND BORDERS. I really wanted to do one of my story driven updates with this one, but I think you all have waited long enough for me to have writer’s block to wait further. So it’s just the artwork this time. I don’t think many of you would complain (hopefully!).

Bon appétit!

The story, all names, characters, and incidents portrayed in this production are fictitious. No identification with actual persons (living or deceased), places, buildings, and products is intended or should be inferred. 

I. HORROR BEYOND BORDERS

Under the watchful gaze of the pair of stone winged Lamassu, head of a man, body of a beast, and wings of an eagle, in the early morning before dawn, before the throng of visitors is allowed to enter the halls of the room of Assyrian antiquities in the British Museum, an envelope with cryptic instructions had been passed from one hand to another. The agent will be sent to the heart of the Lion’s Den, at the Belly of the Beast to find the nature of their impossible and mysterious enemy.

Image 1: (1 completed colored artwork)

The first image depicts a scene from a missionary who is sent to the region to deliver aid, but she is to feed mouths in a different sort of way.

The second is of our heroic agent sent to investigate the goings on and uncovers horrors beyond borders.

Image 2-3: (2 completed colored artworks)

Below are similar works in progress of the above images for those who are curious about the artistic process.

Image 4-5: (2 works in progress of previous scenes)

The following pair are fresh scenes ideas in sketch form for this project.

Image 6-7: (2 inked works in progress)

II. DOOMED RAIDER

The following is a pair of shaded/colored works in progress from DOOMED RAIDER. The intrepid heroine is being carried away by strong hands.

Image 8-9: (2 colored/shaded works in progress)

III. PAINTED BIRD IN LOST CARCOSA

Here’s a scene of  the washing of the gutted bird after a successful hunt.

Image 10-13: (4 black & white sketches variations of a single scene)

IV. THE TAILLEUR CUT (HOOFLESS)

Right now, these drawings are currently unattached to a specific project, though I have some ideas.’

Image 14-17: (2 works in progress of 2 scenes)

V. THE MIDI CUT

Various scenes of the MIDI CUT from a currently uncommitted project for the future. Two whole and one halved.

Image 18-20: (3 black & white sketches)